Neneh Cherry has enlisted Robyn to reimagine her 1988 song “Buffalo Stance.” The new version is produced by Devonté Hynes and features Robyn singing Cherry’s part and Mapei handling the rap verse. It’s billed as the first release from a “forthcoming collaboration album” that drops later this year. The new version opens up with some electric guitar strums before diving into Robyn’s angelic vocals on the slowed-down version of the original. The “Buffalo Stance” re-release is the first taste of a collaboration album Cherry will release later this year. “I love that I could write an essay with all the things I could say about Robyn, and I love that she leaves me speechless at the same time,” said Cherry in a statement. “I’ve known Robyn for three decades; she is my sister, my friend, my family, a creative inspiration. So to have Robyn doing her version of a new life interpretation of ‘Buffalo Stance’ is an absolute honour… and with Dev Hynes and Mapei, this is what dreams are made of!” Robyn also posted a series of tweets about her reimagining of the song and relationship to Cherry's music, writing "my friend and I spent most of our [summer of 1989] playing cards and listening to 'Raw Like Sushi.' Even though I didn't understand all the words, I knew that she was on my side." Cherry’s last album, "Broken Politics," came out in 2018. The following year, she released a deluxe reissue of her debut full-length "Raw Like Sushi" and shared a music video for “Natural Skin Deep.”

Chelsea Cutler's sophomore album "When I Close My Eyes" deviates from her older music in the best ways possible, giving her fans hope for the present and the future. She now gives us more new music as she releases the deluxe edition of her album "When I Close My Eyes," which features the previous 13 songs and three new tracks. Chelsea Cutler shared on social media, “It has been an amazing few months of WICME! Even though I submitted all songs for the album over the summer, I still felt I wasn't fully ready to start moving on conceptually or sonically. So I kept writing! And got a few songs that I really love. While the album boasts the same bedroom pop production and vulnerable lyrics, “When I Close My Eyes” has a newfound sense of hope and joy that comes from Cutler coming into her own. “When I Close My Eyes” is an ode to all of life’s ups and downs as well as a reminder to enjoy the experiences we have and the memories we make. It seems that if the pandemic has taught Cutler anything, it’s to appreciate the mundane that she and we often take for granted. In addition to releasing new music this spring, Chelsea embarked on her “When I Close My Eyes Tour,” which kicked off in Austin at Stubb’s Outdoors on March 9th, the tour will make stops in Boston, Washington, D.C., Seattle, Portland, and more. Following her headline run, Chelsea will make her debut at Coachella in April and return to The Governors Ball stage in June.

Red Hot Chili Peppers has released a new track titled “Poster Child”, and fans have pointed out it sounds like a sequel to the "One Hot Minute" song “Walkabout.” The new track will appear on their upcoming 12th studio album, "Unlimited Love," released on April 1st, 2022. The follow-up to 2016’s "The Getaway" marks the band’s first new album with guitarist John Frusciante since 2006’s "Stadium Arcadium." It’s also their first with longtime producer Rick Rubin since 2011. “Our only goal is to get lost in the music. We spent thousands of hours, collectively and individually, honing our craft and showing up for one another to make the best album we could,” the band said in a statement about the LP. “Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.” The new song "Poster Child" is a follow-up to the first LP single, “Black Summer.” The Deborah Chow-directed video for the song captures the band’s Zen outlook, with the bandmates performing mostly separately in front of serene and surreal locations — a forest, an ice-tipped ocean, outer space and an upside-down desert scene. This summer, the band will hit the road in support of "Unlimited Love," with its North American leg kicking off in Denver, Colo., on July 23 at Empower Field at Mile High. It wraps at Globe Life Field in Arlington, Texas, on Sept. 18.

Khalid is looking back on his past eras as he enters a new one. On Thursday, the singer released the music video for his newest single “Last Call,” in which he pays homage to the themes of his past LPs, but sings about a love he’s willing to wait for. In honour of the 5th anniversary of his debut album "American Teen," the multiplatinum singer returns with new music. On “Last Call,” written by Khalid and produced by Digi, he reflects on his journey. The video opens with Khalid sitting in a classic car with an American flag hanging from the side-view mirror, reminiscent of his "American Teen" LP, which served as the singer’s breakthrough with singles like “Young, Dumb and Broke” and “Location.” The album dropped precisely five years ago. The video then shows a sign with the words "Scenic Drive" buried in the dirt about his last album as he drives down an empty road with friends. The video also shows the vehicle from his "Free Spirit" era and clips of Khalid’s most significant performances before establishing his trophies — including his iHeartRadio Award and a plaque celebrating his billion streams on “Location” — buried in the dirt. The vibey, melancholic vibe taps into the nostalgic sound that fans fell in love with on his debut record while adding a renewed beat that sets it apart from some of the singer’s recent tracks. This marks Khalid’s first music since December’s "Scenic Drive (The Tape)," which featured collaborations with Alicia Keys, Ari Lennox, 6LACK, Lucky Daye, Majid Jordan, and much more.

English singer and songwriter Ella Henderson has released the title track, the same as her upcoming album "Everything I Didn't Say" which is a sweet ballad. Due to be released on March 11, the new record was led by the single "Brave," an empowering piano ballad that builds up to the chorus and highlights Ella’s rich vocals. Her upcoming album called " a diaristic, 16-track record," Everything I Didn't Say is Ella's first full-length release since her debut album, "Chapter One," in 2014, which debuted at Number 1 on the Official Albums Chart. In a statement, Ella said: “I’m so excited to finally share the news that my second album, ‘Everything I Didn’t Say, is coming in March! I know it’s been a long time coming, but I wanted to take the time to really follow my heart and vision, to create something that fully represented me, who I am today and what I stand for." Originally rising to fame as a contestant on The X Factor in 2011, Ella made one of the most impressive debuts by a British act in the last decade with her first single Ghost, which debuted at Number 1 on the Official Singles Chart, and stayed at the summit for a total of four weeks. Ella Henderson will embark on her first headline tour in seven years. Spanning eight dates throughout October, the "Everything I Didn’t Say 2022 Tour" will begin in Newcastle on Saturday 15th, followed by shows in Glasgow, Manchester, Leeds, Birmingham, Oxford and Cardiff. The tour concludes at London’s prestigious O2 Shepherd’s Bush Empire on Tuesday 25th.

Rock singer and songwriter Donna Missal has announced her forthcoming EP "In The Mirror, In The Night, out via Harvest Records. The project, which follows 2020’s Lighter, sets out to answer the question of what intimacy means. She also recently shared her single “insecure,” “Insecure” presents itself differently than many of Missal’s past releases, stripping back the grandiose, over-the-top performance aspect for an emotional, vulnerable delivery both lyrically and sonically. The singer once again teamed up with Irish producer Sega Bodega and British musician Mura Masa. The new album works best when it gives into the rapture and ruminations of the club and bedroom. The Mura Masa–assisted “Insecure” flickers like a heart in arrhythmia against flat, plaintive synths, and the result comes off as a deconstructed Jack Garratt song while Missal excavates each wound. However, where the EP ends is somewhere before the aftermath of desire, in the liminal space between knowing what you want and the impact of its arrival. Shadowed in with Imogen Heap–ready vocoder, “Sex Is Good (But Have You Tried)” moves with a slow, measured pleasure, drifting in the intimacy of the night. Missal’s voice doesn’t go beyond a caress (she sings “I sit on your face” as a lullaby for cam sex), though never has it felt so immediate. Each line brims with sexual pleasure but also—more importantly—the allure of possibility: “Maybe you could try staying a while.” It’s a way past the wreckage of wanting, the rare sound of a new door opening.

KAWALA has released their debut album "Better with You" via EMI records. Containing a spectrum of thoughts and feelings, observations and ideas, the album is driven by golden melodies, danceable afrobeat-inspired rhythms and close harmonies that create a genuinely encompassing atmosphere across its ten songs. The album follows a series of acclaimed EPs and live shows from the North London band over the last two years, which have not just seen them establish a fanbase, but forge a living, breathing community of like-minded individuals around them. Fittingly, their debut album is a celebration of this communality, with a lyrical thread running through its songs charting the band’s growth as people and as artists. The record’s artwork helps reflect this; the band has chosen to ask several individuals who have helped them along the way to paint or draw different panels that eventually formed the overall mosaic album cover. Tracks like recent single ‘Searching,’ along with "Marathon," "Echoes," and the (cheekily named, non-cover) "Ticket To Ride," are filled with an intoxicating hopefulness that unfurls into bright, pop moments, sure to stir minds and bodies. While complimenting this immediate energy, songs including "Hypnotized," "Jesse C’Mon," and "Good Like This" provides a more immersive musical landscape that offers the soul space to resonate emotionally. To celebrate the alum's release, the band will also do a new run of dates (including Shepherds Bush Empire) for April 2022.

Emily Blue pictures their latest release, “The Afterlove,” as a dream world where we interact with our loved ones after we’ve lost them. Their romantic lyricism paired with the 1980s inspired production creates an unordinary world filled with a warm, comforting sound. With previously released singles such as “7 Minutes”, “See U In My Dreams,” and “The Afterlove,” - Emily Blue’s project joins these well-loved records with the rest of the story of love and loss. With songs “Me Without U” and “Floating” sparkling with the iconic sound of the 1980s - “The Afterlove” and “When Your Candle Goes Out” produced with heavy, emotional themes yet so beautiful you’ll never want to turn them off; Emily Blue’s “The Afterlove” is the truthful yet refreshing start we need for 2022. The 9-track album flushed with lush synth textures introduces Blue’s engagement with a modern-pop style of production and their introduction to co-producing with other collaborators like Joseph Meland, Augustine Rompella, and LA’s Shabu. “The Afterlove” started alongside a close friend and producer, Max Perenchio. It was finished after his passing - the album carries Blue through actual experiences of love and loss. The album’s other two singles – “See U in My Dreams” and the effervescent title track – further showcase Blue’s breathtaking vocal talents and undeniable melodic charm with “The Afterlove“ hailed as “a buoyant, poignant upheaval of intimate feeling” and “cinematic brooding at its finest.

Returning with yet another ultra-relatable single that fits on your pop-centric playlist, Rachel Bochner has the perfect song for every 20-something out there who wishes they could blow off responsibilities and spend their cash however they want. “last paycheck” follows her previous release, “pretty when u cry.” Just between these two tracks, listeners can pick up on the wide range of content which Rachel writes about. “last paycheck” is more of a night-out kind of party track, but all of Rachel’s songs are tied together by a common thread: everyday experiences that we can all relate to. Whimsical in nature, “last paycheck” gives listeners an escape into the electro-pop realm of shedding responsibility, perhaps recalling memories of late-night (mis)adventures that you may remember from days when you had fewer things in your life to devote your time to. Strong bass beats and fuzzy synths allow listeners to escape into this world where you spend your last paycheck and imagine what you would do if you were rich. With its upbeat energy and entertaining imagery, this track makes for the perfect blast-worthy song for the next time you’re out with your friends. While the official release date of her upcoming EP, "twenty something," is not yet known, the single releases thus far have marked it as a highly-anticipated must-listen. Her EP champions the incredible team of women-identifying collaborators Rachel has worked with, from writing, production, mix/mastering to the visuals accompanying the tracks.

The once-dominant and now-reunited boy band New Kids On The Block are the kings of the nostalgia circuit. This summer, the New Kids will hit arenas across America on their second Mixtape Tour, and the bill will also feature the late-’80s and early-’90s stars Salt-N-Pepa, En Vogue, and Rick Astley. Today, the New Kids have rounded up all those Mixtape Tour acts for their new single "Bring Back The Time," along with a new music video. New Kid Donnie Wahlberg co-wrote and co-produced the new single “Bring Back The Time,” an uptempo dance-pop track that’s all about nostalgia. The song primarily serves as an excuse for the video to exist. In the John Asher-directed clip, all of those artists re-create scenes from a bunch of classic early-MTV videos: “Separate Ways,” “Whip It,” “We’re Not Gonna Take It,” “Rebel Yell,” “Addicted To Love,” “Mickey,” “Vogue,” etc. The humour here is low-hanging fruit, but, I mean, it’s definitely fun to see the circa-2022 New Kids On The Block wearing Devo flowerpots and Twisted Sister wigs. These guys know that their audience wants a specific thing, and they will supply that thing. The band’s new song comes about two months after the singers performed a sold-out set for the first time in two years at Boston’s Fenway Park. In 2019, NKOTB embarked on its first MixTape tour — featuring Salt-N-Pepa, Tiffany, Naughty by Nature and Debbie Gibson — which raked in $53.2 million and sold more than 650,000 tickets.

French DJ, record producer and songwriter, David Guetta has released his new song “Trampoline” featuring Afrojack, Missy Elliott, Bia & Doechii. David Guetta has amassed over 50 million record sales globally, with more than 10 billion streams. In 2011, 2020 and 2021. Doechii took to her Instagram page to announce she would be jumping on a record with BIA, Hip Hop legend Missy Elliott and EDM superstar DJ David Guetta and Afrojack. The record is called “Trampoline,” and it’s a fast-paced tune. BIA and Doechii are two of the brightest young stars to make their voices heard in the Hip Hop game, and it looks like they’re levelling up even more with a superstar collaboration. On the other hand, BIA has been enjoying the success of her breakout single “Whole Lotta Money,” which first blew up on TikTok and peaked at No. 3 on Billboard’s Bubbling Under Hot 100 chart. BIA is currently still pushing the deluxe edition of her EP "For Certain" and has already worked with several big-name artists in T-Pain, Kehlani, Nicki Minaj, Doja Cat and more. While Doechii has just grabbed her first deal, BIA was already signed to Sony under Epic Records and is off to a great start hitting the Billboard charts with the “Whole Lotta Money” remix peaking at No. 16 on the Hot 100. Guetta was voted the number one DJ in the DJ Mag Top 100 DJs poll. He first got a taste of the limelight with his 2009 album "One Love," which included the hit singles “When Love Takes Over,” “Gettin’ Over You,” and “Sexy Bitch”, all three of which reached #1 in the UK and charted high internationally.

Close to two years after releasing their last full-length album, global pop icons 5 Seconds of Summer unveiled their ethereal new single "Complete Mess" alongside its accompanying music video. The first taste of the band's soon-to-be-announced fifth album, the group first teased the release of "Complete Mess" last week, with its nascent arrival showcasing the group's evolved sound as they balance an expansive vibe with contemporary pop sensibilities. With its title referring to an old t-shirt worn by Luke Hemmings (and beloved by fans), the song's lyrics are far more powerful, with the track ruminating on the worthwhile chaos of a relationship. First emerging during a writing trip in Joshua Tree, "Complete Mess" is the band's first song to be entirely written and produced, with Michael Clifford taking on production duties. In the visual directed by Lauren Dunn, the Australian quartet wander through a desert in dapper monochromatic looks like lead singer Luke Hemmings, bassist Callum Hood and guitarist Michael Clifford trade-off vocals on the verses. 5 Seconds of Summer last released a full-length album by way of 2020’s "CALM," the group’s respective members have been far from lazy. While drummer Ashton Irwin released his solo debut by way of 2020’s "Superbloom," so too did Hemmings find himself working on solo material, unveiling the chart-topping "When Facing the Things We Turn Away From" in August of 2021.

Internationally-renowned British singer-songwriter Emeli Sandé has shared a new track, “Oxygen,” via Chrysalis Records. The Scottish singer and songwriter will unveil her fourth studio LP, "Let’s Say For Instance," which will contain 18 tracks and a feature from Jaykae on the lead single “Look What You’ve Done.” Taking to social media, she explained the concept behind the album, which was created during the worst of the pandemic: “This album was brought to life in my home studio over the last couple of years. I was surrounded by my beautiful family throughout the making. This loving, liberated environment resulted in making my most personal album yet!” Looking to keep the momentum going, Sandé's new single from the forthcoming effort titled “Oxygen,” a truly passionate number that sees her intertwining with her lover physically and emotionally: “Too much small talk well my darling, that’s bad for our health, turns your talks so small, you’ll turn into somebody else, swimming in the shallow end, really ain’t getting us far, I wanna know where you’ve been, who you need, why you left, why you cry, I wanna know who you are, so baby let’s get deep, whisper all our secrets under sheets, take me where you visit in your dreams, then kiss me hard like I’m your only oxygen.” Upon its arrival, "Let’s Say For Instance" will follow 2019’s "Real Life," an 11-track offering that landed within the top ten on the Scottish, Swiss, and UK charts. That project was led by well-received singles like “Sparrow,” “Extraordinary Being,” and “You Are Not Alone.”

Tinashe independently released the fantastic "333" last year — her fifth studio album and 10th release overall — and now she has released a deluxe edition that features four brand new songs. The deluxe edition of "333" includes new titles "Something Like a Heartbreak," "HMU for a Good Time (ft. Channel Tres)," "Naturally," and "Woke Up Blessed." Originally released last August, "333" also includes the summer jam “Pasadena” featuring Buddy, the dance-bop “Bouncin, “the care-free track “I Can See The Future, “the Jeremih-assisted "X,“ and more. The project features collaborations with Jeremih, Kaytranada, Kaash Paige, Absolutely, Wax Motif, Buddy, Channel Tres, and Tinashe’s brother's Quiet Child and Kudzai. “I named it 333 because I really felt like I was on the right path, in alignment with what I was meant to do. I just wanted to acknowledge that,” Tinashe said about the album title. Giving four out of five stars, NME said 333 “furthers the 28-year-old’s narrative of being whatever she wants to be musically”. The album also “gives off the same energy as Tinashe’s early mixtapes such as Black Water and In Case We Die, reminding us of the singular artist that [she] is and always has been.” Tinashe released a futuristic video for “X” last month, where she sees herself in a crystal ball. "333" showed up on Rated R&B’s Best R&B Albums of 2021 list.

ROZY, the ‘virtual influencer’ who swept the advertising world, released the teaser image and video through her official social media channel at midnight on February 15. She debuted in the music industry with her first single, "Who Am I." The song, a medium-tempo ballad, talks about the troubles of being a virtual human. Its warm melody and Rozy’s captivating and refreshing voice adds emotional depth to the song. The lyrics speak of the worries about the 22-year-old’s identity, repeatedly asking herself who she is. The three-minute song also asks listeners to find their “true self-identity,” encouraging them to move forward by becoming who a listener is. The song may lend support to those who feel lost and confused about one’s self. Rozy’s debut song is the first project by the local music intellectual property company Music Vine. Vanilla Acoustic’s Jung Jae-won, who has worked with artists such as Bolbbalgan4, participated in the recording as the producer. The debut project was planned and produced by MUSIC VINE, who was also in charge of creating the album for Bolbal4. Rozy is a virtual human created by Sidus Studio X using 3D synthesis technology by collecting the face shapes preferred by the MZ generation. Rozy, who made her face known to the public through Shinhan Life’s advertisement as Korea’s first virtual human TV model, recorded more than 11 million views on YouTube and drew a lot of attention.

The Shires are continuing the build-up to their forthcoming studio album "The 10 Year Plan" and following on from the release of the stellar lead single "I See Stars" a few weeks back. The duo is back with the second song off the tracklist with "Wild Hearts." it is a spectacular offering from the singer/songwriters heading back to their roots with this new collection stripping away the mainstream pop elements that they have incorporated in recent times. It’s a refreshing return to the sound that put them on the map. With "Wild Hearts," they instead head into the Americana realm – think The Wandering Hearts – and you’ll get a good idea of the production sounds on this one. It is phenomenally brilliant and the best release from The Shires in recent years, their best possible since the "Nashville Grey Skies" era it is that good. The instant ear-worm from the pair starts with a great country/Americana laced soundscape before Crissie Rhodes’ vocal kicks in and then their luscious harmony – this is all mixed with incredibly catchy lyrics and a thumping overlay that will sound fantastic on country music club nights. Since breaking through in 2014, The Shires have scored three consecutive UK Top 3 albums, four #1 UK Country albums, 100 million+ streams, two Gold-certified records, and countless sold-out headline shows, including filling the prestigious Royal Albert Hall. They have also won two CMA Awards, hit the C2C Festival, and played gigs as guests to Carrie Underwood, Little Big Town and The Corrs.

Singer/songwriter Claire Guerreso is thrilled to release her new single “CEO” that is out now and debuted on the TV show "The Equalizer." Brimming with bouts of girl boss energy, the artist comes full force across the hip-hop-tinged production and lands dub-step inspired choruses and ear-worming verses. From the interweaving bass lines to the crescendoing echos, the artist doesn’t hold back on the production aspects and effortlessly lands at a thrilling dance-ready climax. Speaking on the track, the artist said, “CEO is a badass song that’s all about being a boss and feeling empowered.” Known to tap into various genres for her music, Guerreso’s music takes us around the world as she often switches from ethereal warming productions to their reflective and upbeat counterparts. Keeping her cards close to her chest in terms of upcoming releases, we say keep a close eye on the singer in the coming months. Claire Guerreso combines all genres into a potent mixture of her song creations. She specializes in making and performing music for media outlets such as film and TV and writing with and for other artists. Her ability to write and sing in almost every genre has taken her music worldwide. Equally apt at writing dark, ethereal songs, upbeat dance tracks, and introspective ballads, Claire imparts depth into her songs with her haunting voice and melodies.

Introducing North West London singer, songwriter and producer Saïna (pronounced Sa-ee-na) with her brand new single titled “Alive.“ A vibrant record shows her being vulnerable and expressing her true feelings for the man who makes her feel alive. The singer delivers a sultry performance ripe with heartfelt lyrics over a smooth, bouncy groove provided by Ojay Beats with James McCarthy on the guitars. She doesn't hold back and details how she connected with her lover in the most sensual manner. Her performance is quite versatile as she takes elements from jazz, neo-soul, and Afropop aesthetics and flips them in her unique way. With influences ranging from Nina Simone to Amy Winehouse, Jorja Smith and Jhene Aiko, Saïna writes, performs and produces a lot of her material and collaborates with talented musicians whom she got to know while at Brit School and through her social network. Saïna took up playing the piano when she was only 7-years old. She has been writing songs since she was 12 years old, with her musical style running the gamut of neo-soul, R&B, jazz and hip-hop. Now working from her bedroom studio, Saïna writes, performs and produces a lot of her material and collaborates with an exciting network of talented musicians that she has built from her time at BRIT School and through her social media. Like her new single “Alive,” she explores themes of connection, vulnerability and renewal through the striking visual imagery and irony in her songwriting.

To commemorate the 30th anniversary of Nirvana's "Come As You Are" - originally released March 2, 1992 - multi-Platinum DC trio SHAED have shared their reimagined version of the iconic track. The song's original version was released by American grunge band Nirvana from their second studio album, “Nevermind,” in 1992. The song reached No. 32 on the Billboard Hot 100 and No. 9 on the UK Singles Chart. Nirvana's frontman Kurt Cobain died on April 5, 1994, at the age of 27, from a self-inflicted shotgun wound to the head. SHAED added their spin, tempo and upbeat dance vibes to the timeless hit as a tribute to the famed original that continues to inspire music, artists and new genres worldwide. The release follows SHAED's critically acclaimed debut album "High Dive," released in 2021 via Photo Finish Records and pushed the trio past 2 billion streams worldwide. The debut saw the SHAED team up with Lewis Del Mar, Two Feet, and pop sensation ZAYN while grabbing accolades from Variety, Billboard, Rolling Stone, Consequence, Apple Music 1 and more. The group consists of lead vocalist Chelsea Lee and multi-instrumentalists Max and Spencer Ernst. They released their breakthrough single "Trampoline" in June 2018. The track reached number one on the US Billboard Alternative Songs chart and No. 13 on the Billboard Hot 100 in 2019.

Haim has shared “Lost Track” and its accompanying Paul Thomas Anderson–directed video. The song was first previewed during screenings of Anderson’s Alana Haim–starring film "Licorice Pizza." The band explained that the song came about as a spontaneous collaboration with Anderson during his cover shoot with Alana for W. Inspired by San Fernando Valley women and their social club activities in the 1950s—flower shows, wedding showers, and charity fashion shows—Anderson placed the Haim sisters smack dab in the middle of this ’50s set in the Balboa Golf Course’s restaurant at a banquet club called Monterey at Encino. Sisters Alana, Danielle, and Este Haim, perform “Lost Track” as members of this fictional society of ladies who lunch, flanked by friends and family members of the director. The magazine shoot and subsequent music video for “Lost Track” was a family affair, and not just for the Haims, who are joined here by their mother, but also for Anderson and his partner Maya Rudolph, whose eldest daughter Pearl Anderson can be seen in the shoot for W’s Directors Issue and Haim’s music video (the 16-year-old also appears briefly in "Licorice Pizza"). Those familiar with "Licorice Pizza" will recognize in the music video for “Lost Track” that same visual texture, fluidity, and running sequences that memorialized the film in the hearts of the director’s fans and viewers and led to three Oscar nominations.